Wes Montgomery
Willow Weep For Me
Willow Weep for Me is a posthumous Wes Montgomery studio album on Verve, issued in December 1968 using 1965 sessions that originally produced Smokin’ at the Half Note. The LP features Claus Ogerman’s string/brass overdubs and won the 1970 Grammy for Best Jazz Instrumental Album, Individual or Group. ([en.wikipedia.org](https://en.wikipedia.org/wiki/Willow_Weep_for_Me_%28album%29))
2) Recording History
- Recorded in 1965 during the sessions that yielded Smokin’ at the Half Note, with Verve later overdubbing Claus Ogerman-arranged strings and brass on select tracks. ([en.wikipedia.org](https://en.wikipedia.org/wiki/Willow_Weep_for_Me_%28album%29))
- Personnel: Wes Montgomery (guitar); Wynton Kelly (piano); Paul Chambers (bass); Jimmy Cobb (drums); Claus Ogerman (arranger/conductor. for the overdubbed sections). ([en.wikipedia.org](https://en.wikipedia.org/wiki/Willow_Weep_for_Me_%28album%29))
- Producer: Esmond Edwards; Original sessions connected to Montgomery’s Verve period; Release: December 1968. ([en.wikipedia.org](https://en.wikipedia.org/wiki/Willow_Weep_for_Me_%28album%29))
3) Chart Performance & Recognition
- Reached number 12 on the Billboard Jazz Albums chart in 1969. ([en.wikipedia.org](https://en.wikipedia.org/wiki/Willow_Weep_for_Me_%28album%29))
- Grammy Award: 1970 Best Jazz Instrumental Album, Small Group Or Soloist With Small Group for Willow Weep for Me. ([grammy.com](https://www.grammy.com/awards/12th-annual-grammy-awards/?utm_source=openai))
4) Cultural Impact & Legacy
- The orchestral overdubs by Claus Ogerman were later removed in some reissues, leaving the original quartet performances reassessed in different releases. ([en.wikipedia.org](https://en.wikipedia.org/wiki/Willow_Weep_for_Me_%28album%29))
- The title track Willow Weep for Me (a 1932 standard) remains one of jazz’s most-covered tunes, contributing to the album’s enduring relevance. ([en.wikipedia.org](https://en.wikipedia.org/wiki/Willow_Weep_for_Me?utm_source=openai))
- The album is often cited as a late‑career highpoint in Montgomery’s Verve era, balancing his lyrical guitar with lush, if controversial, orchestration. ([allmusic.com](https://www.allmusic.com/album/willow-weep-for-me-mw0000215764?utm_source=openai))
Willow Weep for Me stands as a significant, if debated, coda to Wes Montgomery’s recording career, combining vault-era performances with Claus Ogerman’s arranging flair.